Screenings Anounced

SCREENINGS:

Melbourne: Astor Theatre, St Kilda, December 27

Sydney: Chauvel Cinema, Paddington, December 28

It’s a wrap. Where's Post?

Photo: Jess Husband

Left: Cat, Gary, Paige, Bridget, Pete, Jarrah, Helen, Garnet, Hayley

by Carissa Pritchard

Six weeks ago I sat in the Kirribili pub with Producer, Peter Furst and a certain amount of skepticism. Yet having watched him prove his statement, “It’s easier to make a movie for nothing than with a budget,” I too want to put his theory to the test.  I compose an email to cupcake shop My Little Cupcake in Neutral Bay. I explain the project and ask if they’d like to provide catering for the wrap party. The minute I hit send, I second-guess; “There’s no way they’re going to do it. Isn’t is rude to ask people to do something for nothing?”

For the final day of the shoot, Garnet tempted fate by shaving his “Play-off” beard – a tradition started when Hockey players stopped shaving once their team entered the playoffs. The superstition has been copied by everyone from Bjorn Borg, the New York Nicks, Sheffield United, NASCAR drivers, most recently, Reservoir Cats Director, Garnet Mae.

Shooting on a Sydney street, a black cat wanders across the set, but Garnet’s magic holds and "That’s a wrap!” is declared three hours early. But the three-week shoot was only one small step; the giant leap will be finding a location to edit for the next three months.

When I get home, I check my inbox – eyes falling immediately to the My Little Cupcake response, “We’d love to help you. You can pick up fifty this afternoon.” In a modern capitalist society there’s something incredibly inspiring about such generosity.

As I enter the Wrap party at Club 77 in Darlinghurst, I spot Garnet in the corner having a drink. Is he enjoying it considering post-production is unresolved?

“I’m not going to think about that now,” he says.

Good idea, its time to celebrate.

Amidst the free flowing champagne (that was actually free), I catch up with Gary Russell, Director of Photography, for a debrief.

Would you do it again?

“No way.”

Why not?

“Because there was only Matt and I in the entire camera department which meant we had to lug all that stuff around, pack it up, move it, unpack it, clean it, pack it up and bring it back every single day. There’s more help in student productions! I’m way too far along in my career to have to do that. If it wasn’t for the fact those girls were counting on me to turn up every day… But they kept turning up, giving 100%, so did Garnet so… so did I.”

What’s next?

“I’m off to shoot Reality Tele in Bollywood.”

What’s next for actress Hayley Beveridge?

“Back to working in a bar.” She giggles. “When I tell people I’m an actress they say, ‘Really? What bar do you work at?’” She laughs.

Actress Bridget Power says she’d love to work with everyone again and starts talking about the next project she’s planning. Unfortunately, the band stars playing and I have to practically rub cheeks with her to hear anything. Faced with an extreme close up of such incredible bone structure, it’s hard to focus on what she’s saying. I hope I’m not “objectifying” her. When does a compliment become objectification? (C’mon, I still have to make some kind of political statement :)

Peter Furst takes the stage with Garnet, beckons Gary and presents him with a big, gold trophy –  “The Cup of Awesomeness.”

The cast joins Gary on stage and cheer wildly.

Gary thanks everyone, especially Garnet, whom he says working with, “Was like a brother and sister collaboration – Garnet being the sister.”

Garnet takes the mic, starts singing, Trying to stay relevant and turns the club back into a party. It’s time for the cupcakes.

As I offer them around, someone asks, “Did you bake these?”

“No”, I say, “I did a Peter Furst.”

Does anyone have a 15 square meter room, centrally located, available for the three months? Please contact Peter Furst.

When Hayley met Eddie

Photo: Jess Husband

Hayley Beveridge as Edwina

by Carissa Pritchard

Hayley Beveridge is cast as Edwina, based on “Eddie” – originally played by Chris Penn. As she hurls abuse at the other characters she seems rough, tough and a little bit scary. On the lunch break I sit down with her and in less than a minute we’re giggling like a couple of schoolgirls.

She’s nothing like “Edwina”, she confirms, “It’s really fun doing a gender reversal, its not often that I get cast in a role like this, even when I auditioned they told me to be less smiley.” Then she giggles.

Since we’re talking gender roles, I wonder if playing the “tough guy” is an act for most men too?

When Harry Met Sally suggests men are only interested in sex, lack any desire for emotional connection thus can’t be friends with women. Yet my best friend is male and in more than a decade of friendship he has never tried to sleep with me.  Last week he told me his brother had separated from his wife and was flying in to stay for the week.

I caught up with him yesterday and asked about his brother.

“He’s really good actually”, he said. “I’m exhausted though. We’ve been up talking until two in the morning each night and I’ve still had to work all week.”

 “I mean, how’s he feeling about the break-up?”

“I don’t know. We didn’t talk about it.”

“What?!” I ask.

“I know what you’re going to say, but guys are different. I figure if he wanted to talk about it he would’ve raised it. If not, there’s plenty of other things to discuss.”

Hayley offers her view on why men and women differ emotionally.

“Look what happens when a girl falls over. The mother rushes over and cuddles her. If a boy does, she stands him up and says, ‘you’ll be right.’”

More than a theory, this example has been proven by hundreds of research studies into parental reinforcement of gender roles.

“Aren’t men just less emotional than women?” I ask Matt, Camera Assistant.

“No. But if you talk about your emotions you’re not seen as the ‘alpha’ male. You’re showing weakness and vulnerability, which means you’re an easy target for ridicule from the rest of the guys.”

I decide to ask my Best Male Friend (so common now it has it’s own acronym – BMF), “Why haven’t you tried sleeping with me?”

“I know we’d never work in a relationship – we’re just too different. So if we slept together I’d just end up losing my best friend.”

Is he suggesting an emotional connection is more valuable than casual sex?

He’s not alone. Gary Neuman, marriage counselor and author of the New York Times bestselling book, The Truth About Cheating revealed on Oprah that 92% of the men he interviewed cheated because of an emotional disconnection, not primarily a sexual one. Neuman says, "Men are very emotional beings. They just don't look like that. Or they don't seem like that. Or they don't tell you that."

Even more surprising was the reaction of female viewers. Oprah received thousands of scathing replies - not about men cheating, rather the suggestion they were looking for an emotional connection. Why are women so confronted by men being more than “tough guys” after casual sex? Perhaps gender roles are just as oppressive for men as they are for women.

Photo: Jess Husband

Is that a Playoff beard?

Photo: Jess Husband

Movie Magic

By Carissa Pritchard

Last week, as we approached the half way mark, I asked Garnet how things were going.

“Surprisingly well actually. I always worry when things go well.”

To ease his worries, red wine was spilt on the laptop containing the shoot schedules. For a while the daily call sheet was replaced with, “See you all back here again tomorrow.”

Today I notice Garnet’s stubble is turning into a beard and wonder whether it’s a “Playoff beard”. A tradition started when Hockey players stopped shaving once their team entered the playoffs. Its since been followed by everyone from Bjorn Borg, the New York Nicks, Sheffield United, NASCAR drivers and possibly now, Reservoir Cats Director, Garnet Mae.

Further complications arise. Rain delayed the scene with Blonde in her car and the black Audi being borrowed wasn’t available the next day. Unable to complete the warehouse scenes, Garnet had to ask the owner for extra days.

“What are you going to do for me?” He asked.

Garnet replied, “Fix your roof and clean out the rubbish.’”

I assume the final call sheet will now include a working bee.

Back to the car problem, Garnet explains:

“My neighbours drive a BMW, she’s really nice, but her boyfriend looks like Viggo Mortinson in ‘Eastern Promises’ (big Russian Gangster). I decide to ask them anyway. 

I knock on the door and he opens it: ‘Vwat do you vont?’

His girlfriend appears beside him and I explain the situation.

She say’s, ‘Normally I’d love to help you Garnet, but I’m trading it in next week and I don’t want to risk any damage.’

Photo: Jess Husband

Garnet and the Beard

The next day I’m in the laundry and the Russian appears. He just walked out of the ocean – looks like Daniel Craig in James Bond.

‘Garnet’, he growls, ‘In Russia we have saying; my pipe, my horse, my voman – you not borrow.’

We ended up using Paige’s 121 and it was hardly even in shot, so it didn’t matter anyway.”

I ask him the obvious question, “Don’t you find this kind of ad hoc movie making stressful?”

“To tell you the truth, I haven’t done it any other way. Of course I’d love to make a movie with a budget, where everything’s planned, I don’t know if I ever will.”

“Is there any good news?” I ask.

“Today’s shoot was scheduled for three days, but we’ll finish in one, which means we’re still on track for the wrap party on Friday night.”

I ask him if he’s sporting a ‘Playoff Beard’.

 “Oh, no, I just haven’t had time to shave – the longer it gets, the longer it takes to shave.”

Perhaps he should avoid cutting it until Saturday.

Join the Wrap Party:

Club 77

77 William Street, Darlinghurst.

From 9pm

$10 entry (free to VIP pass holders)

Never judge a cover by a book.

Photo: Jess Husband

Jarrah as Blonde

By Carissa Pritchard

The question regarding Jarrah’s impending scene as “Blonde”, is not whether she can do violence, but how she’ll play “sexy”.

Violence is a natural human instinct – whether you’re male or female. This was proven this morning when my daughter bit me on the arm to try and stop me from putting her jumper on. 

Anyone with kids knows how much socialisation goes into overriding human instinct. As for sexuality, society has two stereotypes for that:

1. Feminine – bubbly air head: a “Beauty” from Beauty and the Geek or
2. Masculine – cold and emotionless: Sharon Stone, Basic Instinct.

Jarrah is the friendliest person on set and her conversations always reveal a greater depth than even her first impressive insight into Blonde’s sexiness. But what I find more notable is her genuine warmth. Today she ensures everyone has a share of the free lunch rations before she eats. Not her job to care, but she does anyway. So how will Jarrah do sexy?

Over lunch, Matt, camera assistant and chief clapper, offers his opinion on women being sexy, “When I tell women I know, that I don’t find the women on Beauty and the Geek sexy, they don’t believe me. But I have absolutely no interest in a woman who reduces herself. When they act like they don’t know where Germany is on a map, I don’t think it’s because they’re stupid. They just believe that’s what men want. To me, a woman who’s interesting and intelligent, that’s sexy.”

Yes, it would be hard to have a conversation with a woman like the “Beauty” who said, “My mother always told me never judge a cover by a book”, but we’re not talking about being intelligent, we’re talking about being sexy. Doesn’t society separate the two? “Beauty” and “the Geek”. Is it the same for men?

                                                                                Photo: Jess Husband

Matt: camera guy & good guy

“Oh yeah”, says Matt, “if you don’t want to talk about how much you lift and who you had sex with last night, there’s nothing to say in a group of guys. I’m not interested in ending up with no neck (he performs quite a good Arnie impression), so I don’t fit in.”

Finally it’s time. Edwina, White and Pink exit the warehouse, leaving Blonde and the cop alone. Blonde flicks her cigarette away, slips off her jacket and drops it on the table. She turns to the cop and purrs, “Alone at last”, smiles cheekily and strides towards her.

Wow! Sexy? Yes.

Not as dumb and beautiful or cold and masculine. Rather, deliciously naughty, fun, and confident. Jarrah proves a sexy woman doesn’t have to fit a social stereotype, or in other words, never judge a cover by a book. 

Photo: Jess Husband

Blonde and the Cop (Belinda)

Sex, Violence and Catering

Photo: Jess Husband

Jarrah Sexton is "Blonde"

By Carissa Pritchard

Jarrah Sexton, a striking red head, plays “Blonde”. She won’t simply be replaying the notorious “cutting off the cop’s ear” scene – it’s been amped up for the Reservoir Cats version...

I ask Jarrah, “What’s your approach to playing Blonde?”

“I always thought it would’ve been good if Tarantino picked a female to play that role – I always saw that character as very sexy. The dynamics of so much male testosterone, to have a really sexy female dominating the other males, would have been a nice a counter balance.”

Sexy? All I remember is extreme violence. Intrigued by her take on it, I revisit the original. As Michael Madsen moves about the warehouse, I find myself thinking, gosh this guy is sexy… then he cuts the cop’s ear off.  Yes, I knew it was coming, but I’m still shocked – not from what he’s done, but from what I have: I can’t believe I felt that! What does that say about me?  Jarrah was right, the impact of the scene comes from flipping sex to violence in the blink of an ear.

The warehouse, a last minute find, adds an unexpected visual element to the film. The low roof bears down on the scene, like the police outside and the walls contain an assortment of coloured graffiti, like the array of contrasting characters inside. Unfortunately, the external tin roof does not help – when it’s pouring with rain, it’s deafening inside. As we wait out the latest bout, I chat to Orsi Parkanyi, Production Manager and onset masseuse (when Helen hobbles up from hours on the warehouse floor, it’s Orsi who gets her walking again). Originally from Hungary, she’s been in Australia for six years and whilst she has four degrees in everything else, her passion is film. It was her apartment that was used for Orange: “I was shocked at the huge amount of equipment – they took over my place in Maroubra in a minute.”

Photo: Jess Husband

Orsi Parkanyi, PM

But what she found even more shocking, was Producer, Peter Furst’s approach to catering. “Walking into a café and asking for free food is not something you would ever do for yourself.”

“How do you do it?” I ask.

“We explain that we’re involved in this project, we’re all volunteering, a bit about the cause, and ask if they’d like to help out with free coffee and food. Almost everyone’s supportive, which is very Australian, I think. They all say, ‘that’s great, good luck.’”

Due to a day of rain, Jarrah’s scenes have been rescheduled until tomorrow. What is the Reservoir Cats version of the ear-cutting scene? That's been classified by the Director. You'll have to see it for yourself.

Slipping into the scene.

Photo: Jess Husband

Paige Gardiner as "Pink"

By Carissa Pritchard

When I first interviewed Paige Gardiner, playing “Pink”, she said, working with Director, Garnet Mae, was easy. “He has a pretty clear idea of what he wants and to a certain extent, he trusts us.” The project was great because, “It’s rare, for an actress to play such great roles.” Most male actors I’ve told about Reservoir Cats have said, ‘Really? Girls can’t pull that off.’”

INT. WAREHOUSE - DAY

Paige (Pink) and Amanda (White) are shooting the scene revealing the heist was a set-up. After nailing numerous takes, Garnet is now free to try something different, he confers with Paige. Today's crew - Production Manager, Orsi and Head of Make-up, Laura, sit behind Garnet, flipping through celebrity magazines.

Pink and White take their places.

    

GARNET

Action.

WHITE

Have a cigarette.

PINK

I quit.

WHITE

Alright.

PINK

Why? Have you got one?

GARNET

Cut! Turn before you say the line. Again. Action.

WHITE

Have a cigarette.

PINK

I quit.

WHITE

Alright.

PINK

Why? Have you got one?

GARNET

Cut. Turn the other way. Still rolling and Action.

WHITE

Have a cigarette.

PINK

I quit.

WHITE

Alright.

PINK

Why? Have you got one?

GARNET

Cut. Look over here when you say the line. Go again.

WHITE

Have a cigarette.

PINK

I quit.

WHITE

Alright.

PINK

Why? Have you got one?

GARNET

Cut! Again, without giggling this time.

PINK

(yelling)

I QUIT!!!

GARNET

This is called “taking direction.” It’s an important scene, it’s where your character arcs, you need to get it right.

Orsi looks up from her magazine.

ORSI

(To Laura)

I didn’t realise how hot Beyonce’s Mum is.

LAURA

Yeah, she’s totally hot. Did you read that article about Nicholas Cage being a vampire?

When Garnet calls a wrap on the scene, DOP, Gary Russell, calls a cigarette break. Paige sits down on a crate and looks over her script.

I ask, “How’d you find that?”

“Frustrating”, Paige replies.

“Does the angst help?”

“Yes,” she laughs. “In that scene it helped. It was just a misunderstanding.  I always pride myself on taking direction. I wasn’t clear about what Garnet wanted.”

If you were expecting Paige to lambast the director, then you might have interpreted her polite response as “being professional”. But to me, it shows, not only is she an incredibly gifted actress, she’s not insecure either. What a combination, one that Garnet obviously recognises, evident by the fact she’s the first actress I’ve seen him joke around with.

I ask her, “How are you finding your character?”

“It’s a bit of a stretch for me, this character, being the bad ass I don’t want to turn it into a stereotype; I’m not playing ‘the dark side’. The character’s very intelligent, not as cool as a gangster would be. But still, when I was running down the street shooting, I was thinking, ‘I hope this is coming off’.”

The next scene, is described by Garnet as, “A tough one – there’s five pages of dialogue and smoking. Please don’t look like you’re smoking. Action.”

When Garnet calls “cut”, I realise I had slipped into the scene. Rather than watching the making of a movie that’s remaking a movie, I was watching a thief on the run, fighting for survival, trying to save herself. Paige Gardiner stands out. To say she’s going to be a big star one day would be a cliché, and like any great actress she avoids them in her work. To say the least, Paige proves women can play bad asses. As for Nicholas Cage, that hasn’t been proven.

Did he win an Academy Award?

                                     Photo: Jess Husband
Gary Russell, DOP

by Carissa Pritchard

Yesterday there was still no location to shoot the warehouse scenes for today. According to Director, Garnet Mae, after being promised a space in Redfern, he was then asked for $2000 rent. Since no one could find another Diane Cutler, he went back to the owner and applied his usual charm. After that, he got the roof space, but was warned it came with a few crazy tenants. Garnet says, “I found them to be really nice, for some reason, everyone seems to be nice to me.” Garnet’s obliviousness to his own charm only increases it further.  If this shoot was likened to a Reservoir Dogs heist, Pete’s temerity would kick the door down. Garnet’s charm would have the victims wanting to help carry the bags out. Today I interviewed Director of Photography, Gary Russell to find out what part he’d play.

How did you hear about the project?

“Through a friend of mine, I’ve been doing adventure doco’s for years for National Geographic and Discovery. Now I’m back in Australia, I want to change gears. I want to work with actors again – rather than tribe’s people and sharks. My mate’s the top guy in the country, obviously he’s too big time for this, so he flipped it to me.”

How did your friend hear about it?

Gary: “I don’t know.”

Peter chimes in, “I emailed everyone – I thought it would be cool to have an Academy Award winning cinematographer shooting Reservoir Cats.”

Gary, “Did he win an Academy Award?”

Peter, “Didn’t he?”

Garnet appears.

Gary, “I’m not a cinematographer anyway, I’m a DOP.”

Garnet to Gary, “I did contact some Academy Award winning cinematographers, but you were my first choice.”

They laugh.

How do you think it’s going?

Gary: “Amazingly well – for the scale of the production, no money, no crew. Usually this kind of project would have departments full of people. Here, there’s one person per department, the Heads of Departments are their own assistants.”

What do you think of the concept?

“We’re not reinventing the wheel, but we’re putting mags on it”.

Politically?

“It’s a bit of a f**k you, bit of a middle finger to society, isn’t it?”

How do you think it plays?

“It’s pretty hard core to see a bunch of attractive girls revving up. It’s a little shocking, confronting – but fun as hell. I like working with young people. I used to teach filmmaking in South East Asia as part of Australian Aid. We taught drama to the TV stations in Laos and Vietnam, we made a couple of pilots. Instead of sending them rice, they sent me.”

Peter says, “It’s the best way to learn filmmaking, isn’t it?”

Gary, “I think the original film is very theatrically staged, but that’s the reason we can do it technically, because it’s old school. There’s no cranes or chopper shots.”

Pete, “I reckon I could talk us into a chopper if we needed it.”

Gary, “That’s great but its amazing what you can do with two sticks and a wheel chair.”

Not only does Gary bring a wealth of talent and experience, he also brought the camera. It was his contacts with Video Australasia that secured the 5D and lights. Gary said he was happy to call in a favour, “But there goes my discount on my next hire.”

Garnet says working with Gary is a privilege; “Even though we’re not paying him, he gets up every morning and comes in keen. He’s amazing.”

Where does Gary see Reservoir Cats going?

“It would be great on the Festival Circuit. Right now it’s rocking. But I’ve worked on things that kick while you’re making them, then fall flat on screen. We’ll just have to see how it goes. But I’d like to see it at least once in a dark cinema with a box of popcorn.” 

Natural charisma and a way with words, leaves you wondering why Gary’s not in front of the camera. If he were, it’s clear where he’d fit into this heist movie – he’d keep everyone entertained while Pete and Garnet crammed their bags with camera gear.

                                                                         Photo: Jess Husband
Who needs a dolly anyway?

The Law is on our side.

   Photo: Jess Husband

By Carissa Pritchard

True to the gender role reversal theme, the only funding to date has been by a woman – Diane Cutler. Diane, a Sydney designer, who runs an exclusive boutique (www.dianecutler.com.au) was asked to supply suits for the cast. Apparently the outfits were too valuable to ruin with fake blood and gunshots, but still wanting to contribute, gave $1000. Today’s scene requires a “stolen” car, but thanks to Diane, it was purchased for $400. The second problem on today’s shoot is the impending storm. Although I’ve heard Garnet directing everyone including the elements (“Quiet on set – you too wind”), I’m not sure whether he can stop a thunderstorm.

The car might be legal, but isn’t using it to remake copyrighted material unlawful? In 2001, Channel Nine sued Network Ten for using their vision on the program, “The Panel”. The Panel replayed clips from other networks to parody and satirize current affairs. The decision by the Court to award in favour of Channel Nine may have upheld copyright law, but negating the right to poke fun at each other felt unAustralian. So the Australian Government did something everyone agreed upon – they changed the law.

The 2006 amendment to the Copyright Act ensures the legal right to use “Reservoir Dogs” for the purpose of “parody and satire”. The purpose of satire is defined as “social criticism aimed at changing social systems”. Producer, Peter Furst’s goal on the project was always to “change the way people think critically and culturally about gender structure and the power systems that undermine it.” Theoretically, “Reservoir Cats” is legal. But as Peter say’s, “It’s one thing for politicians to make a law, it’s another when the law is tried in court.” There’s nothing stopping the copyright holders from trying to halt production. Peter’s response? “This matter deserves its day in court, but there’s no reason why that shouldn't happen after we've finished shooting.”

Garnet, now in the driver’s seat, yells “Action”. He drives off, DOP, hidden in the passenger seat shooting through the back window, tyres screeching loudly, smashed glass spraying everywhere. Unfortunately a member of the public turns her car into the road. Garnet’s car screams past her, she catches sight of the cop running after Garnet shooting. She continues driving towards Peter and the crew, who start yelling, “It’s not real, it’s not a real gun!”

                                                                         Photo: Jess Husband
Producer, Peter Furst & Director, Garnet Mae

Garnet turns the car around and speeds back towards her, the DOP leans out the window, yelling, “Don’t let her call the cops!”

The woman pulls off the road into a side street.

Peter runs after her, “Don’t worry! It’s a movie! It’s just a movie!”

They did manage to wrap fifteen minutes before the storm hit, but unfortunately the glass didn’t hold out. Peter drove the car back over the bridge without a windscreen, but no one stopped him. Lets hope no one notices Reservoir Cats yet either.

Playing Mum

                                     Photo: Jess Husband
Amanda Marsden as "White"    

by Carissa Pritchard

Amanda Marsden is always playing Mum, even though she has no kids - "Because of my age I’m always up for the ‘nurturing mother’ role." In Reservoir Cats, she plays "White" and says, "I loved the movie and the idea  - I don’t often get the chance to play a character like this."  

I also played mum this morning, one day a week I can't make it on set as I take my daughter to a local playgroup. I’m fortunate enough to rent part of a house in an affluent north shore suburb, but unfortunately it means I meet mothers like this:

Brunette: “So the tiles were delivered last week and they’re absolutely terrible! Not what I ordered at all.”

Blonde: “Oh, I can’t stand that.”

Brunette: “Now I have my tiler just sitting around. I’m paying him an hourly rate of… Well, I don’t know... But the point is, he’s sitting around idle.”

I assume his hourly rate is more than my Target top and jeans, but probably less than her Chanel shoes. The Blonde confers:
“You know the wall I had rendered last week? They said it would take a week to dry. How am I supposed to get the painter back now?”

Brunette: “Tell me about it. The new tiles have arrived and the tiler now has some problem with his hand, some kind of nerve damage – he had to go to the hospital. I have no idea when he’s coming back.”

Blonde: “You poor thing.”

Amanda said she admired that Garnet, “has a dream and doesn’t let money stop him.” What happened to these women’s dreams? Or worse, was it marrying rich? I wonder what they think of work.  

Blonde: “It’s awful when your husband comes home grumpy.”

Brunette: “I know. It’s so important for them to love their job.”

The Blonde’s mobile rings, she walks away.

The Brunette’s daughter toddles past in an apron, pushing a pram and holding a bag.

Brunette to another mother: “Oh look at her multi-tasking! She’s the perfect housewife!”

The Blonde dashes back to her daughter, snatches her from the toy kitchen and yells, “We have to go. The painter’s on his way over now!”

Ironically, we have a rendered wall in our house too. It’s been like that for a few months, but we’re not waiting on a painter. The difference is, that my flatmate actually paid for that wall, in fact, she bought all the walls in the house, all by herself. She didn’t marry a man for money; she went to work, she says, “as a lowly secretary”. She rented out the bedrooms to help pay the mortgage and now she owns it. My daughter is fortunate enough to be raised in a home with an unpainted wall.

Contrary to what she said, Amanda doesn’t stop being a “nurturing mother” on Reservoir Cats. When my daughter’s old enough to watch it, she’ll see a woman following her dreams and inspiring her to follow her own. Isn’t that a mother’s role?

Georgia wears Target twin set - $8. Glasses - $25.
Unpainted wall: priceless.

CLAIMER: The dialogue used in this blog is purely accurate. As unbelievable as it sounds, I can't take credit for making it up.

Supercool

By Carissa Pritchard

Helen Uskovic as "Orange"             Photo: Jess Husband

Today we’re shooting in an apartment in Maroubra. This is the scene “Orange”, played by Helen Uskovic, prepares to meet “Jo.” As the Director of Photography and Sound technician correct the boom shadow, Director, Garnet Mae stands beside me and surveys the apartment. Littered with cables, metal cases, towering lights and a steady stream of foot traffic, Garnet jokes, “People are always happy to lend you their place once, but never twice.” Why is it again, that everyone’s lending their time and assets to shoot a film for nothing?

In my original interview with Producer, Peter Furst, I quoted Matt Damon’s suggestion that failure of amateur filmmaking, such as Project Greenlight,  proved the success of the Hollywood system. Peter says he’s not trying to compete with Hollywood – that’s the ultimate destination. But in the real world, you don’t get there by winning a competition.

The opening shot is Helen’s bum – she removes a mobile phone from the back pocket of her jeans – a modern take on the original scene. I wonder how she prepared – months of Pilates? Three pairs of Spanx?

When I first met Helen at rehearsals, she was quiet, reserved and almost withdrawn. On set she’s a different person, relaxed, confident and open. After nailing the “you’re Supercool” speech, Garnet asks her to try it again, this time, with a slight twist to her lip. It doesn’t really work.

She asks Garnet, “Was that sh*t?”

“A little bit,” he responds.

She laughs.

I wonder what would make Garnet lose his cool.

The set’s changed for the close ups. I ask Helen if she was worried about the bum shot.

“No, I told the boys to make it look good, they’re guys, they know how to look at a women’s bum.”

Is this film promoting ‘women trying to be like men?’

“I don’t want to portray a woman as trying to be like a man, they’re not the same. Women show much more compassion to each other then men, we feel comfortable helping each other, men can’t.”

Good point. I found the original scene in the warehouse, when a badly hurt Mr. Orange asked Mr. White to “hold him,” confronting. How will it play between two women?

“Very differently,” she predicts.

Photo: Jess Husband

With close ups completed, the location is wrapped and the crew start breaking down the set. The collectable comic posters that decorated the walls are removed and a few women stand around the table peeling the adhesive off the corners. Garnet walks over and notices one of the pictures.

“You’ve torn one of them,” he says.

They stop.

Visibly annoyed; “Don’t do it if you’re going to wreck it. Someone lent us these in perfect condition and now I’m giving them back ripped.”

The set falls silent.

Garnet runs his hand through his hair. He takes a deep breath.

Everyone else holds theirs.

Someone starts stammering an apology.

He exhales slowly. “Don’t worry,” he says coolly and walks away.

All three Project Greenlight directors plucked from obscurity, failed miserably. Why? For the same reason they never made it in the first place. When series three winning director, John Gulaga, was given access to his hero Kevin Smith for advice, he got some he wasn’t expecting. Smith suggested he stop whinging about how hard it was and start showing some gratitude for the incredible opportunity.

Everyone on this set is working for no other reason than to improve their craft – they work hard and they work for nothing. This is Garnet’s fourteenth project; he wants to ensure these opportunities continue for him and everyone else. When he gets to Hollywood, it won’t have been overnight, but it won’t be short lived either.